March 11, 2021
Designer Series | Matisse
by SAL McINTYRE
In creating the interior
design for a new project that maintains both qualities of freshness and
timelessness, that can be both full of vitality and grounded in stability—
sometimes it helps to admit that working with art from an artist as
tried and true as Matisse is simply an inarguable fit. It seems that
no matter the decor, the geography, the city or landscape, the culture or the
mood, Matisse’s art consistently and magically complements any context,
infusing a room with grace and humility, joy and inspiration, confidence and
cause, and allowing for the enlightened flow that is already taking place to
effortlessly transpire. Matisse worked in a handful of styles and mediums, yet
across the many evolutions his blissful artistic vision remained undiminished—
a true master at heart.
Henri Matisse – The Fall Of Icarus, silkscreen 1994
Henri Matisse – Composition Fond Bleu, offset lithograph 1990
Perhaps his most infamous
aesthetic, the cut-paper shape drawing that has led to some of the most iconic
images in modern art, is as uplifting as it is decisive, a magnetic
combination. Strong lines and simple design carry the conceptual themes and the
adjacent furniture alike, making for useful interior ingredients. Works like The
Fall Of Icarus and Composition Fond Bleu are amongst his most
Henri Matisse – Mille Et Une Nuits,
stone lithograph 1951
Less known but no less
ecstatic are works like Mille Et Une Nuits, or ‘One Thousand and One
Nights,’ a first edition 1951 stone lithograph, or Sadness Of The King
which exemplifies Matisse’s uncanny ability to touch on the beauty of the human
experience with archetypal understanding.
Henri Matisse – Sadness Of The King,
offset lithograph 1994
Another style which Matisse not only mastered but trailblazed at least in its popularity is the meandering single line, a perfect distillation of form for which he is similarly famous. Nadia Au Menton Pointu is a visage of beauty and simplicity that can augment any surroundings, and a work like Fruits is a no-fail, as fundamental as placing a bowl of fresh fruit on the table.
Henri Matisse – Nadia Au Menton Pointu,
offset lithograph 1995
Henri Matisse – Fruits,
Mourlot stone lithograph 1964
Galerie Dina Vierny, 1982 gloriously shows off Matisse’s beautiful inked linework when juxtaposed against a plain, perfectly faded blue border and the gallery text, and Le Platane - Le Buisson is one of his best-selling images, a testament to the universality of his art.
Henri Matisse – Galerie Dina Vierny, 1982,
offset lithograph 1982
Henri Matisse – Le
Platane - Le Buisson, stone lithograph 2017
"Matisse’s art consistently and magically complements any context, infusing a room with grace and humility, joy and inspiration, confidence and cause..."
Henri Matisse – La Cite-Notre-Dame,
framed etching 1937
And considering the events that took place regarding the Notre-Dame Cathedral earlier this year, encountering this image La Cite-Notre-Dame, a 1937 framed etching, is a bit like uncovering a relic from a lost world— this vision of the living presence itself etched in time in its perfect state by another great creator.
Henri Matisse – Femme Au Chapeau,
Mourlot stone lithograph 1939
Henri Matisse – Nice
Travail & Joie, Mourlot stone lithograph 1959
And for a more painterly take, Matisse was not afraid to delve into realms that on first glance appear like folk art, though spun from the hand of a chieftain as such. Femme Au Chapeau glamorizes a relatively straightforward portrait, perhaps through its mix of plainness and sincerity, and Nice Travail & Joie celebrates the pleasure of pattern and discovery of shape, with descriptions of supposedly mundane objects with a method that is yet full of spirit.
Henri Matisse – Flowers And Fruits, offset
Henri Matisse – Paula, offset
Flowers And Fruits has a richness and sophistication to it despite Matisse’s relatively blunt brushstrokes and muted color palette— something only as gifted a painter as Matisse could conjure— and Paula exudes a similarly mysterious complexity, with an allure that seems to appear out of smoke considering how few marks were needed to achieve the expression.